Search Result

Search Result

PAST IS MY MASTER AND EVENING MY DAWN: VINAY SHUKLA

His film-work has been artistically selective and also across-genres, fairly mainstream, writes Aparajita Krishna.

Read More

Nidravatwam: Between sleep and wakefulness

Janaky Sreedharan believes Nidravatwam was a brilliant initiation into the language and aesthetics of theater conceptualized b...

Read More

The Poetry of the Quotidian of Aki Kaurismäki

Vandana Kumar writes, “To think of Finnish cinema, is to think of Aki Kaurismäki. Apparently, this perception isn&r...

Read More

Another Ravi Varma: Mankada

Kerala Varma talks about the magic in the work of the low profile cinematographer of Adoor whose work made the layman sit up a...

Read More

The Hairdresser’s Husband: Too Much of a Good Thing?

Vandana Kumar explores how a film like The Hairdresser’s Husband starts as a man’s...

Read More

Voices we miss

Film historian Dhruv Somani, chronicles the popular film playback singers, who are rarely heard today.

Seijun Suzuki: Master of the Japanese Film Noir

The most traveled and hence the most influential of the film genres that evolved in Hollywood film studios is p...

Read More

Order! Order!

Film historian Dhruv Somani, zooms in on Bollywood&rsqu...

Read More

Rebellion of James Ferreira

Khalid Mohamed profiles the pioneering designer James Ferreira, who has double-tasked as a warrior to preserve the two-centuries-old, Portugues...

Read More

Wanna be a Cinephile Conversation Expert? Have a look at the 100+ Film Words added to the Oxford English Dictionary

The Oxford English Dictionary has taken another step forward by adding more than 100 words and phrases from the film world. Ov...

Read More