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Bringing up Bobby

Khalid Mohamed reboots his conversation with the ever-gorgeous Dimple Kapadia on her life and career-defining debut in Raj Kap...

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Revisiting Mani Kaul’s Mini-series Ahmaq

Devdutt Trivedi writes that in Ahmaq, Kaul wanted to underline the symbiotic relationship between Hinduism and Islam.

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The films of Maya Deren

Between MacGuffin and Transference is the empty signifier that carries her film ‘Meshes of the Afternoon’ forward, writes D...

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Claude Chabrol and The Poetics of Murder

My first exposure to the ‘French New Wave’, La Nouvelle Vague, was through Claude Chabrol’s Violette Nozière (1978). M...

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The Indian Screen: Myth and Reality

Farrukh Dhondy traces the evolution of Indian storytelling from early days, when stories travelled by word-of-mouth, to now, a...

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The Manipur Man: Bijoykumar Tayenjam

Bijoykumar Tayenjam is an author, a poet and a civil engineer in Imphal, Manipur, writes Vinta Nanda

Silence: The language of God

A piece of appreciation of Martin Scorsese’s 2016 epic historical drama Silence, by Berges Santok

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Half a lifetime: Rahul Vohra

It’s a dress-circle view that Vinta Nanda brings,...

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Sita Rattan: Her blue and yellow moments

Vinta Nanda visits Sita Rattan’s canvases and explores the well of consciousness that she draws out her art from.

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Three Colours: Red - A celluloid poem

Mallika Bhaumik reviews Krztysztof Kieślowski’s Three Colours Red and reads the auteur’s mind while elucidating her own thoughts ...

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