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Sycophancy: At the intersection of Art & Politics

Vinta Nanda writes about the mood in the country. She says that Bollywood and Indian Politics,...

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Indian Media: Delete, Copy, Paste & Repeat

Amit Khanna writes that a simple definition of news is organized information about a changed situation, events, happenings and...

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KASHISH 2020: Fifty-two films in competition

KASHISH 2020 Virtual, will screen 157 films from 42 countries
The 11th edition of KASHISH Mumbai International Queer Film Festival, South...

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Tara Kaushal: Why Men Rape

Vinta Nanda interviews author Tara Kaushal, on the eve of the release of her book Why Men Rape...

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Status Single & Lockdown

On April 1, 45-year-old auditor, divorcee, Kriva, who quit her last job in December after being harassed for being single, picked on for lookin...

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In Exile: The last years of M.F. Husain

Khalid Mohamed rewinds to an interview with M.F. Husain, the peerless artist, who had to spend his end-years jet-hopping betwe...

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Scent of Music: AR Rahman

Khalid Mohamed rewinds to one of his chatty conversations with the Mozart of Madras.

When...

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Cinema of Resistance

Reema Moudgil walks us through some compelling cinema over the last seventy years of India’s independence, which has chr...

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Labour, Rights, Disaster and Capitalism

The global pandemic crisis gripping the world currently has claimed over a quarter of a million lives. It has decimated livelihoods and incomes...

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The Talented Taurean: Bhanu Athaiya

Bhanu Rajopdhye Athaiya was born on April 28, 1929 in Kolhapur. Humra Quraishi interviewed Athaiya around ...

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