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Where art thou?

Khalid Mohamed in conversation about the limitless forms of art with the 23-year-old artist, Adyot Rajadhyaksha, who debuted a...

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Open mail to Parineeti Chopra

Khalid Mohamed writes to Parineeti Chopra about The Girl on the The Train, has issues with Hello Mini 2, and checks out the tr...

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Once upon a foggy night

Film historian Dhruv Somani, re-assesses the 1964 suspense thriller Kohraa, which he asserts is grossly undervalued.

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The Good Story And The Bad Story

Vinta Nanda reflects on discussions surrounding the OTT guidelines announced by the government of India

Playing corpse and killers

Khalid Mohamed has mixed feelings about the Mohanlal movie Drishyam 2, thumbs up three episode...

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Tara ra pomp pomp

Khalid Mohamed attends The Big Day weddings, listens in to Martin Scorsese’s docu-interview with Fran Lebovitz and&helli...

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Womanpower in khaki

Film historian Dhruv Somani, tracks down the heroines who have portrayed top cops, a domain usually reserved for heroes.

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How the war was won

Khalid Mohamed reviews the inexplicably neglected 377 Ab Normal, is zapped by the mega-abrupt Lahore Confidential, and discove...

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So long, farewell, it’s hard to say goodbye…

I’m a writer, but I am at a complete loss of words when expressing the pain I’m feeling after losing my best friend Rajiv Kapoor, w...

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Does Naaz Patel have a dirty mind?

Even when the Myntra logo controversy ignited by her broke out, there was only sparse information on her on the Internet, writes Dr. Sa...

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