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A Requiem For Mayfair Cinema

English movies which essentially meant Hollywood films (Hollywood being the benchmark for “good cinema” catering to the English-spe...

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K.K RAINA: The Act of Life!

Aparajita Krishna walks down the road, which brought writer, director, actor K.K. Raina, from his homeland Kashmir to Mumbai, ...

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Diamonds Are Forever

Film historian Dhruv Somani rewinds fondly to Hum Kisise Kum Naheen (1977), the last huge hit of the pure entertainer, produce...

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The Comic World Of Pierre Étaix

Vandana Kumar writes: ‘Le Grand Amour’ (The Great Love) 1969 is a French comedy that introduced me to its director...

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A Conversation With Freny Manecksha

Freny Manecksha brings stories from Bastar and Kashmir in her latest book Flaming Forest Wounded Valley. She gets into a conversation with Read More

THE THESPIAN: SUREKHA SIKRI

Her repertoire of work in theatre in particular and then in television and films is vast, writes Aparajita Krishna

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Merely because the act is horrific…

Humra Quraishi recalls the horrors of the 2002 riots in Gujarat in wake of the release of the convicted rapists and murderers ...

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The lives of Freda

Humra  Quraishi visits Andrew Whitehead’s book ‘The Lives of Freda - The Political, Spiritual and Personal Jo...

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A Border Love Story

Khalid Mohamed narrates the bittersweet tale of meeting his aunt, the major Pakistani filmstar Zeba Ali and her equally famous...

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PAST IS MY MASTER AND EVENING MY DAWN: VINAY SHUKLA

His film-work has been artistically selective and also across-genres, fairly mainstream, writes Aparajita Krishna.

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