The Indian ‘New Wave’ for the Millennial

Even though I use a lot of close ups, “Once upon a time, long, long ago…” should be the tone and tenor of this account from ...

Shakespeare in Bollywood

Shakespeare travels, writes Farrukh Dhondy, in his piece on how well and how not so well the bard’s writing has been ada...

Creative Children

KidzCINEMA held a Children's film festival recently, which included films made by children, reports The Daily Eye Newsdesk. Read More

What Bollywood can learn from Hollywood

Monojit Lahiri does a hard close-up at the changing attitudes of Hollywood stars toward Indie films and proposes that Bollywoo...

Evening Shadows wins at Yatha Katha film festival

Sridhar Rangayan’s Gulabi Aaina and Evening Shadows to screen at Hyderabad Queer Film Festival

Sridhar Rangayan’s feature film Evening ...

A Faust for Bangladesh

Farrukh Dhondy at his best as he recounts the attempt he once made to adapt Goethe’s Faust for the Bangladeshi screen. Read More

A look back at Mira Nair’s tale of Home: Mississippi Masala

Aditi Singh revisits the film Mississippi Masala, thirty years after its release, and recalls the metaphors of ‘home&rsq...

Claude Chabrol and The Poetics of Murder

My first exposure to the ‘French New Wave’, La Nouvelle Vague, was through Claude Chabrol’s Violette Nozière (1978). M...

A Few Bad Men (and Women): The Journey of the Villain in Hindi Cinema

National Award-winning Balaji Vittal speaks to Shantanu Ray Chaudhuri on his new book, Pure Evil: The Bad Men of Bollywood