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Sycophancy: At the intersection of Art & Politics

Vinta Nanda writes about the mood in the country. She says that Bollywood and Indian Politics,...

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Undekhi: Plain Vanilla, Distasteful Hype

Dr Sandeep Goyal says that SonyLiv's latest thriller offering Undekhi, has landed itself in an unenviable soup of its own maki...

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Cinema of Resistance

Reema Moudgil walks us through some compelling cinema over the last seventy years of India’s independence, which has chr...

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Politically Left Handed: Subhashini Ali

Vinta Nanda chats with Subhashini Ali about why after a long time and now in the times of COVID-19, when all other politics se...

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Pragmatic Panchsheel

Alok Jagdhari walks you through why it is important to stay on the path India has followed for foreign policy, which is based ...

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Sunil Dutt – 6th June 1929 to 25th May 2005

I had  met  Sunil Dutt  more than  once, writes Humra Quraishi in her piece this week, where she recalls o...

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Labour, Rights, Disaster and Capitalism

The global pandemic crisis gripping the world currently has claimed over a quarter of a million lives. It has decimated livelihoods and incomes...

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Wake up & smell the Propaganda

Liquidity via monetary policy is like blood infusion into a patient admitted for a heart transplant in a near death situation. And fiscal stimu...

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Rebellion of James Ferreira

Khalid Mohamed profiles the pioneering designer James Ferreira, who has double-tasked as a warrior to preserve the two-centuries-old, Portugues...

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On Manto’s 108th birth anniversary

“The more I sit thinking of Manto’s genius, I recall  my  meeting his grandnephew Abid Hasan Minto, in  New Delhi&rd...

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