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Hrid Majhare: The Bard’s Official ‘Debut’ in Bengali Cinema

In the series on landmark Bengali films post 2000, Shantanu Ray Chaudhuri looks at Ranjan Ghosh’s adaptation of Shakespe...

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The Hazards of Adaptation: Chimamanda Ngozi Adichie

Ranjan Das focuses on the challenges that confront filmmakers when adapting vast and expansive authored works, by placing Half...

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An anthem and counter-anthems: Pyaasa

This was written during the years, to be precise 2017, when playing the national anthem before movies was mandatory in halls, writes Ju...

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The Art of Ramkinkar Baij

Modern Indian sculpture as we know it began with Ramkinkar Baij. Shantanu Ray Chaudhuri looks at the works and legacy of a pio...

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Bringing up Baby

On the heels of the success of Mimi, film historian, Dhruv Somani, writes on the subject of surrogacy depicted in the Bollywoo...

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CLASSIC HEIST: Six Films That Define the Genre

For a generation weaned on the high-tech-and-gizmo-aided heist of Steven Soderbergh’s Ocean Eleven or Dom Cobb’s equally SFX-aided ...

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Sunil Shanbag: A Theatre Yatra!

Aparajita Krishna takes a deep dive into the life and theatre times of Sunil Shanbag and walks you through an interesting tell...

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Literary landmark in world fiction: Kabuliwala

Rinki Roy Bhattacharya spells out the significance of Rabindranath Tagore’s Kabuliwala today, in building compassion, to...

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Rickshawala

After the critical success of Seasons Greetings, Ram Kamal Mukherjee is back with a loving ode to that hoary Kolkata institution - the hand-pul...

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Signs of the time: Stories of Muslim Youth

Humra Quraishi shares her views on the stories of Muslim youth falsely implicated, the talks between the leaderships of Kashmi...

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