Let’s Go to the Pictures

Rumi Taraporevala writes on the ‘masti-majaa’ of watching the movies with his buddies

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Hard Day’s Night

Film historian Dhruv Somani, clocks into Bollywood films, which were set in a tension-packed time frame of 24 hours.

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Seijun Suzuki: Master of the Japanese Film Noir

The most traveled and hence the most influential of the film genres that evolved in Hollywood film studios is p...

For whom the bull tolls

Khalid Mohamed locks horns with India’s Oscar entry Jallikattu, Alt Balaji’s Bicch...

M K RAINA: A salutation and exploration

Again and this one is vast - Aparajita Krishna walks you through the life of social activist and actor MK Raina. So far, so, s...

The Making of Satya

Novelist and writer, Adithi Rao who was assistant director on Ram Gopal Varma’s Satya, rewinds to the behind-the-scenes ...

The Scattered Rainbow

Darshan Mondkar has been a social and political commentator since 2010, writes Vinta Nanda in this piece compiled by her. &nbs...

The Legend Of Bhai Dooj

In this piece adapted from hearsay, Vinta Nanda writes that Bhai Dooj also has a story to follow.

For Hind...