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Lenses, Women & Trauma

Cinema from Israel has been getting a lot more recognition globally – in terms of prestigious awards and academic courses revolving aroun...

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SALUTING THE MEMORY OF THE EVERGREEN AWARA

Monojit Lahiri pays homage to India’s greatest showman, the one and only - Raj Kapoor.

Walk in, walk out

Film historian Dhruv Somani, writes on Bollywood’s ceaseless dilemma of wasteful changes in the cast of actors because o...

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Distorted to Divide

Humra Quraishi comments about the distortion of Indian History and the caste, class and religious divides it seeks to indulge....

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SOHAILA KAPUR: The Person & Her Legacy!

Sohaila Kapur belongs to a very rooted and empowered artistic and cultural legacy. She has, in her individual way, made her own space, writes <...

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BEGINNINGS

In a flashback interview, Aamir Khan talks to Khalid Mohamed about the pleasures and pains of acting.

Back to the Future

 

Film historian Dhruv Somani, in conversation with Sonu Walia, who had quit the Bollywood scene prematurely but ...

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MY RK STORY

Once, Raj Kapoor rescued a mugged journalist from being...

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"Who Killed Judge Loya?” (Remember this is not fiction!)

The prologue itself is an unapologetic foray in Niranjan's state of mind, as he must have started penning down his story, writes Darsha...

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APARAJITO: A PARODY MASQUERADING AS A ‘TRIBUTE’

Pandering to the Bengalis’ juvenile fondness for wallowing in nostalgia, Anik Dutta’s film is a monument to artifice. Nothing, not ...

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