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Whose Bollywood is it anyway?

Vinta Nanda disagrees with Kangana Ranaut’s rants on national television, which cleverly camouflage political mischief.<...

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To the story I was born

Aparajita Krishna plunges into her rich past, where there is a paean to her left leaning parents who inhabited India’s r...

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Voices: Where the mind is without fear

On India’s Independence Day, Monarose Sheila Pereira speaks to several people to understand their perspective on freedom...

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Pivotal, Not Seminal: Indian Matchmaking

Since its release a couple of weeks back, Indian Matchmaking, has raced to the top of the charts for Netflix in India, writes Dr Sandee...

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Master of Suspense: Ravindra Dave

Film archivist Subhash Chheda, revives the memory of the unsung filmmaker Ravindra Dave, of Hindi and Gujarati cinema, whose f...

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Seema Kohli: From the canvas of her life and art

Aparajita Krishna deep dives to Seema Kohli’s work and brings to you her thoughts, which influence her art.

Shaheen Bagh and the Idea of India

This necessary collection comprises interviews with some of the brave women at the core of the protest; ground reports and photographs by journ...

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Vyjayantimala: At the confluence of politics, gender and art

Humra  Quraishi recalls a meeting with Vyjayantimala Bali and shares excerpts from an interview she did with her way back...

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Little Wonders: The Vanishing Child Stars

Film historian, Dhruv Somani, writes on Bollywood’s little wonders whose fame faded on turning adults.

Wedding Photography: In a state of limbo

Photographer Vatsal Shah, writes on the drastic downturn in the industry of professional photography in the time of the corona...

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