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Shifting Paradigms: Malayalam Cinema

Malayalam Cinema has evolved through time, writes Sulochana Ram Mohan. To use a cliché change has been the only constant in Malayalam ci...

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The Indian ‘New Wave’ for the Millennial

Even though I use a lot of close ups, “Once upon a time, long, long ago…” should be the tone and tenor of this account from ...

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A SLICE OF BENGAL IN TELANGANA

The recently concluded 4th edition of the Telangana Bengali Film Festival brought to the limelight exciting new talent. Shantanu Ray Ch...

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Signs of the Time: Call of the Valley

This week Humra Quraishi looks into the way Kashmiri youth and their future is impacted due to communal politics in the Valley...

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Meet Vibha Batra, the compulsive writer

When you meet someone who has done so much work in such a short span of time, you cannot help but be intrigued, writes Vinta Nanda Read More

Sagar Sawarkar & the Indian Idol Connect!

Aparajita Krishna travels with Sagar Sawarkar’s musical journey and shares her experience with us.

BAISHE SRABON: Dead Poets’ Society

In the series on landmark Bengali films post 2000, Shantanu Ray Chaudhuri looks at Srijit Mukherji’s genre-bending noir ...

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Director’s Cut

Film historian, Dhruv Somani, is in conversation with Saawan Kumar Tak, on how he has romanced the box office.

They go to die there, where there is life

Humra Quraishi veers to the bard, Gulzar’s verse written by him in the times of the pandemic.

A Quart of Ray

Ever since Satyajit Ray passed away, his works have made it to the screen in sterile, ineffectual adaptations. Netflix’s Ray corrects tha...

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