KALEIDOSCOPE: BREAKING BARRIERS IN BRAILLE LITERATURE

In the culturally vibrant town of Nagaon, Assam, where art and literature blend with daily life, Anjali Mahanta’s journe...

POWERFUL PEOPLE: PREITY ZINTA ON DOING IT HER OWN WAY

Khalid Mohamed’s throwback to a conversation with the iron-willed Preity Zinta, who’s set to return to the movies ...

RETROSCOPE: FORGOTTEN WOMEN OF HINDI CINEMA

Those forgotten B-grade movie divas of yesteryear: Khalid Mohamed recalls Indira ‘Billi’, Chitra and Naqi Jehan, j...

MOVIES: DANCE OF PUPPETS AND DESIRE

Suman Mukhopadhyay’s Putulnacher Itikatha adapts Manik Bandopadhyay’s classic novel with sensitivity and cinematic depth, ...

THOUGHT FACTORY: MOVIE MAGIC DEFEATS ONLINE NOISE

Rajinikanth’s Coolie: When Sheer Movie Magic Trumps Noise (and Logic)

Everyone want...

FESTIVALS: ARE THE NATIONAL AWARDS LOSING THEIR WAY?

Once upon a time the most glamorous, eagerly-awaited and coveted award was Filmfare founded in 1954, but today the National Awards’ credi...

BOLLYWOOD: TWO FILMS, TWO FLAWED JOURNEYS

War 2 and Tehran both promise high-octane entertainment and politically charged drama but falter under bloated storytelling, uneven execution, ...

BOLLYWOOD: ‘ALL I NEED IS WOR

Rehana Sultan, the sensation of the 1970s following Chetna and National Best Actress Award winner for Dastak, in conversation...

BUSINESS: SAMEER NAIR’S MASTERSTROKE

In a bold leap into global fiction, Applause Entertainment acquires rights to six Jeffrey Archer bestsellers, reimagining them for the screen f...