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Signs of the time: About Indian Muslims

It’s about time we look into our backyards! And not ignore the murky events taking place there and along the by-lanes of our mohallas and...

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The Women of the Farmers Agitation

Subhashini Ali writes about the Women farmers’ parliament - a parliament that the government is determined to keep ordin...

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DILIP KUMAR: THE BIG BURGLAR

Dilip Kumar burgles his way into the performance of every Indian actor of substance whether the actor likes it or not, writes Kamlesh P...

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Whose normal is it anyway?

Vandana Kumar goes around John Cassavettes’ ‘A Woman Under the Influence’ and discusses how Independent Cine...

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Sentimental journey

Khalid Mohamed shares an insightful conversation with the legendary Ashok Kumar aka Dadamoni, the ever-lovable actor who would...

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Sentimental journey

Khalid Mohamed shares an insightful conversation with the legendary Ashok Kumar aka Dadamoni, the ever-lovable actor who would...

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Frankly Speaking

Film historian Dhruv Somani, tracks down Ranjeeta, who had wowed the audiences with major hits like Laila Majnu, Ankhiyon ke J...

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The narrative doesn’t hit home: Tangra Blues

Acclaimed documentary filmmaker Supriyo Sen’s debut feature never quite hits the narrative highs, existing in the zone between good visua...

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How to go bonkers

Khalid Mohamed reviews Bollywood’s alleged ghost story Roohi, the Tamil super surprise packet Mandela… and the co...

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Abuli Mamaji is Nikhil Pherwani’s Ahaan

Vinta Nanda writes: For once a film centered on a person differently abled is not about the so-called normally-abled character...

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