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The Afterlife of Kudrat

Film historian Dhruv Somani, re-evaluates Chetan Anand’s take on reincarnation forty years later.

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The Hairdresser’s Husband: Too Much of a Good Thing?

Vandana Kumar explores how a film like The Hairdresser’s Husband starts as a man’s...

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Mise en scene: a metaphysical expression

Sharad Raj writes that to arrive at one’s mise en scene is to liberate oneself from dogmas that are both personal and in...

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Sentimental journey

Khalid Mohamed shares an insightful conversation with the legendary Ashok Kumar aka Dadamoni, the ever-lovable actor who would...

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Sentimental journey

Khalid Mohamed shares an insightful conversation with the legendary Ashok Kumar aka Dadamoni, the ever-lovable actor who would...

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Rogue Thinker

Khalid Mohamed’s never-before published interview with the dogged rule-breaker, Ram Gopa...

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How feminism works in rural India

Vinta Nanda explores how feminism works in rural India and the Grassroots Leadership Development Program of CORO India.  ...

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Satyajit Ray: 10 Great Sequences

The films of Satyajit Ray have provided us with iconic moments that celebrate the many hues of life, all shot w...

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Usha Dixit talks television

Aparajita Krishna singles out one of her most reticent but accomplished colleagues from the pa...

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The Sound of Dubbing

Film historian Dhruv Somani discusses how and why top Bollywood actors down the years, have been ghost-voiced by dubbing artis...

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