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RAMAYANA PART ONE: EPIC RETELLING
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THE NEW BUSINESS OF ENTERTAINMENT
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IS FACE FUZZ TRENDING NOW?
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THEATRE AND THE POWER OF INCLUSION
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PYRE: A PORTRAIT OF ABANDONMENT
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AAKHRI RIDE: MUMBAI AFTER DARK
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EK HAAN BRINGS MANTO ALIVE
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DIWALI IS SERVED WITH LOVE
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AI, ART AND THE HUMAN RIGHT TO CREATE
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CHEF VINITA GHATGE ON REINVENTION
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Search ResultStar! Music Director! Singer!... Lyricist.
Why is the songwriter always last in the ‘hit parade’? Monojit Lahiri attempts to tune-in on this little-explored ...
Read MoreGame Changer, Marketer, Entertainer, Interpreter: The Film Critic
Monojit Lahiri investigates through the incisive commentary of critics as well as filmmakers, what film reviews and film criti...
Read MoreThe Indian Screen: Myth and Reality
Farrukh Dhondy traces the evolution of Indian storytelling from early days, when stories travelled by word-of-mouth, to now, a...
Read MoreCelebrating Bachchan!
It’s his 79th birthday on the 11th October, and S M M Ausaja writes that It’s not easy to ch...
Read MoreThe art of Gaganendranath Tagore
At the height of darkness comes the first stirrings of dawn - a renaissance in the arts, literature and social life. It is against this backdro...
Read MoreTaboo Love and the Sensibility of Agnès Varda
Her cinema played with subversive and controversial subjects even as she kept up her engagement with the political environment of her times int...
Read MoreHIGH FIVE: Time for Some hoichoi





Starting out in 2017, the first regional OTT player in India, hoichoi, is now the world’s leading Bengali...
Read MoreHrid Majhare: The Bard’s Official ‘Debut’ in Bengali Cinema
In the series on landmark Bengali films post 2000, Shantanu Ray Chaudhuri looks at Ranjan Ghosh’s adaptation of Shakespe...
Read MoreThe Hazards of Adaptation: Chimamanda Ngozi Adichie
Ranjan Das focuses on the challenges that confront filmmakers when adapting vast and expansive authored works, by placing Half...
Read MoreAn anthem and counter-anthems: Pyaasa





This was written during the years, to be precise 2017, when playing the national anthem before movies was mandatory in halls, writes Ju...
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