Abuli Mamaji is Nikhil Pherwani’s Ahaan

Vinta Nanda writes: For once a film centered on a person differently abled is not about the so-called normally-abled character...

In Conversation with Uttara Baokar

I’m sharing parts of a conversation with path-making, veteran theatre actor who was ideal to generations of theatre-citizens, writes Read More

More than a woman: Gajra Kottary

Vinta Nanda grabs an opportunity to talk to author and screenwriter Gajra Kottary about her work and also her latest release N...

The peerless entertainer

Film historian Dhruv Somani, pays tribute to Nasir Hussain, wizard of the undervalued romantic musicals of Bollywood.

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Begums on top, or nearly

Khalid Mohamed reviews the flawed and yet commendable Begums of Bombay, finds 1962: The War in...

Where art thou?

Khalid Mohamed in conversation about the limitless forms of art with the 23-year-old artist, Adyot Rajadhyaksha, who debuted a...

Open mail to Parineeti Chopra

Khalid Mohamed writes to Parineeti Chopra about The Girl on the The Train, has issues with Hello Mini 2, and checks out the tr...

Once upon a foggy night

Film historian Dhruv Somani, re-assesses the 1964 suspense thriller Kohraa, which he asserts is grossly undervalued.

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The Good Story And The Bad Story

Vinta Nanda reflects on discussions surrounding the OTT guidelines announced by the government of India

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