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Chann Pardesi: Reuniting with the cult-classic

Aparajita Krishna writes, Chann Pardesi would be a stranger to the young cine-goer, India 2020, including the young diaspora g...

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Mohammed Rafi: Forty Years Later

Anil Dixit exults about Mohammed Rafi’s imperishable legacy of songs, on the occasion of the legendary crooner’s 4...

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Khushwant Singh: Salaam to the Sardaar

Humra Quraishi writes about the many conversations she had with Sardaar Khushwant Singh. 

Order! Order!

Film historian Dhruv Somani, zooms in on Bollywood&rsqu...

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Takes two to duet: Lata Mangeshkar’s duets with female singers

Anil Dixit handpicks a selection of rare film duets in which other female singers matched up t...

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My Darkest Time

In this long-short personal story of having overcome a big challenge, Gaurav Jain says, “When you break your leg, you kn...

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Over my dead body

Aroona Bhat decodes the last breath; the many times people inhale and exhale before they take it. She figures, that life&rsquo...

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Those Placid Waters

Humra  Quraishi tells another heartbreaking shortstory, set in Kashmir, where the blur between who is the enemy and who i...

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Grannies, Groins & Growing up: Sonnets from Early Memories

The experiences in Farrukh Dhondy's childhood that formed the man are worked into a collection of sonnets that are fun, charmi...

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Lost Melodies: Bollywood’s vast film music heritage

Anil Dixit, walks down melody lane, to select five vastly underrated music scores

My go-to metaphor for Hindi film music is that it’s a rich ...

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