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The Unpretentious Star

She was the underdog of her time. Yes, Reena Roy was one of the top actresses who let her work talk rather than her other activities, writes Read More

An Ode to the Willow

Monojit Lahiri flashbacks to a time, far away and long ago – way before the madness of social media crazed popular imagi...

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The Indian ‘New Wave’ for the Millennial

Even though I use a lot of close ups, “Once upon a time, long, long ago…” should be the tone and tenor of this account from ...

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I want to work on daydreaming: Sadiya Siddiqui

Aparajita Krishna has a long extensive conversation with Sadiya Siddiqui, whose journey is full of stories to tell.

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Shakespeare in Bollywood

Shakespeare travels, writes Farrukh Dhondy, in his piece on how well and how not so well the bard’s writing has been ada...

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What Bollywood can learn from Hollywood

Monojit Lahiri does a hard close-up at the changing attitudes of Hollywood stars toward Indie films and proposes that Bollywoo...

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A Faust for Bangladesh

Farrukh Dhondy at his best as he recounts the attempt he once made to adapt Goethe’s Faust for the Bangladeshi screen. Read More

All about Eve: A History of the Hindi Film Heroine

All about Eve: A History of the Hindi Film HeroineThe more things change, the more they remain the same when it comes to the portrayal of women...

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Claude Chabrol and The Poetics of Murder

My first exposure to the ‘French New Wave’, La Nouvelle Vague, was through Claude Chabrol’s Violette Nozière (1978). M...

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EXIT: T-20 WORLD CUP MADNESS! RE-ENTER: HUSBAND!!

Monojit Lahiri records the hilarious lamentations of a World Cup Widow, just married, with the hubby clean bowled by the Dadim...

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