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Some dope on pot: It’s Hazy

Vinta Nanda collates information from available materials on the web for us to find out what Bhang, Charas and Ganja mean to I...

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Bollywood

The Glad and the Sad

Even as COVID-19 spikes on, the film soundtracks of yesteryear offer some solace and relief. Khalid Mohamed writes on the vast...

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Movies

Against all odds

Film historian, Dhruv Somani, takes you right into the storm of Bollywood’s films revolving around natural and man-made ...

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Powerful People

Zen and the art of Sanjay Chhel

Vinta Nanda goes on a roller coaster ride with Writer, Director, Artist, Lyricist, Columnist a...

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Business and Politics

No Coincidence No Fiction: The Urban Mela

Ranjit Rodricks writes that the loot that’s taking place in broad daylight today, is just like a Mela in a faraway villa...

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Movies

Those Courtesan Days

Film historian Dhruv Somani, writes on the near-extinct genre of Bollywood films, which took you into the kothas and durbars o...

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Thought Factory

Whose Bollywood is it anyway?

Vinta Nanda disagrees with Kangana Ranaut’s rants on national television, which cleverly camouflage political mischief.<...

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TV

As Tears Go By

Khalid Mohamed reviews the emotionally volatile Pakistani series Khaani, and the quirky Churails, dealing with a vigilante gro...

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Powerful People

The Bard of Bollywood: Gulzar

Humra Quraishi recalls her meetings with Gulzar. Born on 18th August 1934, his words that explore  the complex...

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Kaleidoscope

To the story I was born

Aparajita Krishna plunges into her rich past, where there is a paean to her left leaning parents who inhabited India’s r...

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