Shifting Paradigms: Malayalam Cinema

Malayalam Cinema has evolved through time, writes Sulochana Ram Mohan. To use a cliché change has been the only constant in Malayalam ci...

The Indian ‘New Wave’ for the Millennial

Even though I use a lot of close ups, “Once upon a time, long, long ago…” should be the tone and tenor of this account from ...

Of egoistic Indian men and Mulk Raj Anand

Humra Quraishi remembers Mulk Raj Anand on his birth anniversary and what he had said about Indian men consumed by superiority...

Dark Humour Now

“What did we do without mobile phones?” is the buzz question of the chatterati of the West and of the chapaterrati of India, writes...

I want to work on daydreaming: Sadiya Siddiqui

Aparajita Krishna has a long extensive conversation with Sadiya Siddiqui, whose journey is full of stories to tell.

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Sardar Udham: The Shadow Man

Satyabrata Ghosh explains why the film Sardar Udham should be watched to fathom what undying love for one’s own country ...

A Faust for Bangladesh

Farrukh Dhondy at his best as he recounts the attempt he once made to adapt Goethe’s Faust for the Bangladeshi screen. Read More

All about Eve: A History of the Hindi Film Heroine

All about Eve: A History of the Hindi Film HeroineThe more things change, the more they remain the same when it comes to the portrayal of women...

A mutiny or a plea for independence

As discussions continue, Farrukh Dhondy remembers writing a script for Ketan Mehta - Rani of Jhansi, which was hijacked of cou...