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RAMAYANA PART ONE: EPIC RETELLING
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THE NEW BUSINESS OF ENTERTAINMENT
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IS FACE FUZZ TRENDING NOW?
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THEATRE AND THE POWER OF INCLUSION
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PYRE: A PORTRAIT OF ABANDONMENT
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AAKHRI RIDE: MUMBAI AFTER DARK
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EK HAAN BRINGS MANTO ALIVE
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DIWALI IS SERVED WITH LOVE
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AI, ART AND THE HUMAN RIGHT TO CREATE
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CHEF VINITA GHATGE ON REINVENTION
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FESTIVALS: FROM BUSAN TO SUNDANCE AND BACK HOME
Indian cinema continues to find new ground on the international stage, as emerging filmmakers and bold regional voices redefine the scope of st...
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MOVIES: DANCE OF PUPPETS AND DESIRE
Suman Mukhopadhyay’s Putulnacher Itikatha adapts Manik Bandopadhyay’s classic novel with sensitivity and cinematic depth, ...
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BOLLYWOOD: TWO FILMS, TWO FLAWED JOURNEYS
War 2 and Tehran both promise high-octane entertainment and politically charged drama but falter under bloated storytelling, uneven execution, ...
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ALTERNATIVE ENTERTAINMENT: ANIRUDDHA’S CINEMATIC EVOLUTION
Aniruddha Roy Chowdhury returned to Bengali cinema after a hiatus of almost a decade, during which he made waves with his Hind...
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TRENDING: HUMAN STORIES STILL TOUCH HEARTS
Exploring romantic films Saiyaara and My Oxford Year, Yashika Begwani reflects on soulful storytelling, the AI era, and why hu...
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RETROSCOPE: JAIDEV COMPOSED, SILENCE SANG ALONG
On Jaidev’s birth anniversary which was two days ago, on 3rd August, Shantanu Ray Chaudhuri remembers the uns...
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ALTERNATIVE ENTERTAINMENT: ART & TRUTH IN MEMORY
Assamese filmmaker Amardeep Gogoi reflects on Collage, a quietly powerful debut rooted in memory, trauma, and resilie...
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KALEIDOSCOPE: FREEZIES AND THE FIGHT FOR FRIENDSHIP
Farrukh Dhondy’s latest novel makes young readers think about big issues—refugees, prejudice, and the power of com...
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BOLLYWOOD: SARZAMEEN FAILS TO RISE
Sarzameen, posing as a political thriller, crumbles under recycled daddy-issue tropes and formulaic storytelling, wasting its stellar cast and ...
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RETROSCOPE: CENTENARY OF A REBEL POET OF CELLULOID
Ranjan Das Gupta marks 100 years of Guru Dutt, the visionary director who blended poetry, pathos, and protest in cinema, trans...
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