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A Woman of Letters

“I am reading Amartya Sen’s book nowadays”, says a sprightly young voice at the other end of my telephone line: Janak...

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Welcome to Ashok Mishra

The two Hindi films that writer Ashok Mishra is popularly associated with in the cine-goers’ mind are Shyam Benegal’s Welcome to Sa...

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Salim Arif: His Work of Many Parts

It is a daunting task to undertake summarising Salim Arif’s multifaceted talent and work resume in a few pages, writes ...

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Whose Bollywood is it anyway?

Vinta Nanda disagrees with Kangana Ranaut’s rants on national television, which cleverly camouflage political mischief.<...

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Indian Media: Delete, Copy, Paste & Repeat

Amit Khanna writes that a simple definition of news is organized information about a changed situation, events, happenings and...

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Mind Your Language: Vidya Balan on how to get the ps and qs right

Khalid Mohamed frazzled by today’s Bollywood language, talks to Vidya Balan on how she g...

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The Master: Soumitra Chatterjee on Satyajit Ray

Even under the uncertainty facing the world at large, following the outbreak of Covid-19, a valiant bid is on in Kolkata to celebrate the cente...

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Reignmen: Salman, Aamir & Shah Rukh Khan

Khalid Mohamed on why Salman, Aamir and Shah Rukh Khan have continued to reign in Bollywood through three decades.  

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Across the Border: Mammo

Khalid Mohamed recalls how he wrote the real-life story and screenplay of the National Award-winning film, Mammo, now accessible on YouTube and...

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Trust Deficit

A lack of confidence pummels institutions, sours relationships.

Trust is one of the cornerstones ...

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