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Signs of the time: Where lies the truth?

Humra Quraishi visits the literary works of Shamsul Islam, Khushwant Singh, Jyortimaya Sharma,...

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Sunil Shanbag: A Theatre Yatra!

Aparajita Krishna takes a deep dive into the life and theatre times of Sunil Shanbag and walks you through an interesting tell...

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Adil Hussain: The Uncrowned Czar of independent cinema

Sharad Raj walks you through his experience of working with the actor par excellence Adil Hussain.

When men change and repent: Cinema of Kenji Mizoguchi

Men are at loose ends without women to enslave, to desire, to abandon. Sharad Raj explores why the director is forgiving of th...

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Lal Ghaas Par Neela Ghodha: The Irrfan I knew

Irrfan became a regular visitor to FTII campus and therefore a participant in many “daru” and &ldqu...

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Reimagining Ambedkar

Ambedkar appears in many different ways in the ordinary life of Dalits, writes Badri Narayan&nbs...

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Bhagat Singh’s writings on caste

In his writings on caste, Bhagat Singh understood the practice of untouchability and its associated binary of purity-pollution as an integral p...

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Climates: A metaphor for changing human behavior

Since the time of Ataturk, Turkey has been home to westernized intellectuals, writes Sharad Raj ...

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Two different occasions: Conversations with B Jayashree & Jyoti Subhash

Aparajita Krishna recalls conversations with theatre veterans B Jayashree and Jyoti Subhash, both mega-talents in the times th...

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Days of the future past: Subhashini Ali

Subhashini Ali recalls a time when she saw the role of the police and administration with clarity and how she was convinced of...

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