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Dreaming big for the vulnerable: Chhitra Subramaniam

Vinta Nanda thinks that one of the greatest pleasures of running The Daily Eye is that you wak...

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Black-and-white in colour

Khalid Mohamed recounts his emotional-laden encounter with the legendary French multi-media artist, Jean-Paul Goude, on a cham...

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And the rest is hysteria

Khalid Mohamed reviews the annoyingly overwrought Kaagaz, the understated Sir and recommends A...

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Mission Possible

Dr. Kishore Madhwani writes on the largest vaccination programme in the world, which kickstart...

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How Photo Pollution Is Impacting Planet Earth

We have lost our connection to the night-time skies, the stories woven into star-studded skies, the sense of stillness, the awe of the twinklin...

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Goodbye FarmVille! It was fun harvesting.

On 31 December, Zynga shut it down, 11 years after a glorious start, writes Carol Goyal

I...

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The National Education Policy (NEP) is not a constitutional document

An analysis, a comparison with the previous policies and development in the new one by Hrishi Ra...

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Order! Order!

Khalid Mohamed reviews the twisty courtroom drama Nail Polish, the erotica-fest Paurashpur and a sensitive short film Adivaana...

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Sculpting in Time

Sharad Raj revisits Tarkovsky’s film Mirror (Russian), released in 1975 and he expresses, in this piece, its art, aesthe...

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Blast from the past…

Film historian, Dhruv Somani, in a chat fest with yesteryear’s feisty Asha Sachdev - she carved her acting career on her...

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