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Let’s Go to the Pictures

Rumi Taraporevala writes on the ‘masti-majaa’ of watching the movies with his buddies

Hard Day’s Night

Film historian Dhruv Somani, clocks into Bollywood films, which were set in a tension-packed time frame of 24 hours.

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Seijun Suzuki: Master of the Japanese Film Noir

The most traveled and hence the most influential of the film genres that evolved in Hollywood film studios is p...

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Amazing Grace

Film historian, Dhruv Somani, pens the untold story of the playback singer Suman Kalyanpur, who retired from the hurly burly o...

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Signs of the times: Unanswered Questions

I’m not being a pessimist but a realist in stating aloud that these last eight months have been suffocati...

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M K RAINA: A salutation and exploration

Again and this one is vast - Aparajita Krishna walks you through the life of social activist and actor MK Raina. So far, so, s...

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The Making of Satya

Novelist and writer, Adithi Rao who was assistant director on Ram Gopal Varma’s Satya, rewinds to the behind-the-scenes ...

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Oh, those feuds

Film historian, Dhruv Somani, rewinds to the mega-rival...

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Signs Of The Modern Times

As the friction accelerates between the Centre and the Kashmiri leaders in the  Kashmir Valley, how I wish...

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The Scattered Rainbow

Darshan Mondkar has been a social and political commentator since 2010, writes Vinta Nanda in this piece compiled by her. &nbs...

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