Honey Trehan: Raat Akeli Hai & The Twinkling Stars

The stellar cast, fantastic atmospheric visuals, haunting background score, directorial grip on the noir narrative of the film Raat Akeli Hai, ...

Signs of the times

Humra Quraishi rewinds to 1995; when she met the first ambassador of Uzbekistan to India, Surat Mirkasymov, and remembers how ...

The Glad and the Sad

Even as COVID-19 spikes on, the film soundtracks of yesteryear offer some solace and relief. Khalid Mohamed writes on the vast...

Whose Bollywood is it anyway?

Vinta Nanda disagrees with Kangana Ranaut’s rants on national television, which cleverly camouflage political mischief.<...

Master of Suspense: Ravindra Dave

Film archivist Subhash Chheda, revives the memory of the unsung filmmaker Ravindra Dave, of Hindi and Gujarati cinema, whose f...

Soundscaping with Bishwadeep Chatterjee

Vinta Nanda says, this is one of the most interesting interviews she’s done for The Daily Eye in so far. Welcome to the ...

Chann Pardesi: Reuniting with the cult-classic

Aparajita Krishna writes, Chann Pardesi would be a stranger to the young cine-goer, India 2020, including the young diaspora g...

The Guru: Gautam Rajadhyaksha (1950-2011)

Khalid Mohamed writes on the imperishable legacy of the pioneering photographer of celebrity portraits.

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Who wants to be a Millionaire? – Vinod Pande

We think we know them well. However, when you venture out to ask them questions you thought you had all the answers for, like I did, you discov...