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Film Appreciation Course with Arunaraje

Film Institute of India and the National Film Archive of India, Pune are conducting an online Film Appreciation Course after their regular summ...

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News Media: The End..

Geeta Datta, programmer and veteran reporter, views news broadcasting from what goes on inside newsrooms and explains why the ...

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Of Abusive Power & Complicit Silence

Reema Moudgil walks us through three documentaries streaming right now, which show the ultimate culmination of the Bois Locker Room culture. An...

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India’s Disowned: Pataal Lok

In her review of the newly dropped series on OTT platform Amazon Prime Paatal Lok, Reema Moudgil writes that the images haunt because they remind us of som...

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Kulmeet Makkar: The man who never said ‘No’

A thought crossed my mind as I said a small prayer last night, “I’ve written two tributes back to back for Irrfan Khan and Rishi Ka...

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How marketers can think about a Post - COVID-19 world

Perhaps it may be a little too early to say this, but we may be reaching peak lockdowns in many places around the world. The curves aren’...

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The Legend of Siddharth

I wanted to interview Siddharth for The Daily Eye for some time now and although he was reluctant and shy, I managed to corner him the other da...

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Simran Puri’s Kangan

Women are equals now by law but back then it was different…

The story unfolds amidst the splendour ...

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Conversations with Aditiya Singh’s Canvas’

“I don’t paint music, I paint noise, I don’t paint for aesthetic appeal, I paint to reveal my reality”, said Aditiya to me when I asked him to tell ...

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Who wants to be a Millionaire? – Vinod Pande

We think we know them well. However, when you venture out to ask them questions you thought you had all the answers for, like I did, you discov...

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