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Yesteryear’s Legends Emerge Favourites on the Web World

The living legend, Lata Mangeshkar, has scored the highest number of likes and followers across generations, on the plethora of socia...

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Another News Story of the Syrian Refugee Crisis

For European cinema, in particular, films about Europe’s migrant crisis run the risk of being artful and ...

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Films: Opportunity in the Crisis

In several of my recent articles I have written about the crisis facing Indian film industry, specially Bollywo...

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Collateral: Wrestling with the Refugee Crisis

Collateral is an avant-garde approach to storytelling. The narr...

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The Test of Love: Director Sudhir Mishra to make a film on Renu Saluja

Over the years Bollywood has seen directors not only talking openly about their personal lives but also sharing...

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Headless Women of Hollywood

A movie poster featuring a group of men framed by JUST a woman’s legs or bust or any other body part, except the head and/or face is a co...

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All the World’s a Stage, Not in Mumbai Theatre at Least

Frankly, theatre didn’t prove to be that long-cherished platform to tell a story which was of some value to me – a story about a pre-teen boy who was saved from...

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Experiments with Storytelling: Meet Anuraadha Tewari

In a freewheeling conversation, Anuraadha Tewari, scree...

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From Delicate to Daring: Actresses Who have fought the Good Fight

Gone are the days when women in Bollywood were portrayed as diffident and reserved. Over the years, the role of...

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Director's Kut

“If an actor’s film succeeds, he becomes a star.” – Sudhir Mishra
In this telephonic talk with JYOTHI VENKATESH, t...

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