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Of Fearless Art

Khalid Mohamed in conversation with Bangalore’s iconoclastic artist, Pushpamala N,  famous for her photo-romances o...

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Don’t Call her Aunty

Khalid Mohamed finds relief in Masaba Masaba and other fare on the streaming channels currently.

That Classic Conflict: Bandish Bandits

Khalid Mohamed reviews the web series Bandish Bandits… and more fare currently showing on the streaming channels.

...

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Return of the Migrant Worker

Approximately 30 lakhs migrant workers have returned to Mumbai to earn a daily living, out of sheer helplessness, writes Khalid Mohamed...

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Wedding Photography: In a state of limbo

Photographer Vatsal Shah, writes on the drastic downturn in the industry of professional photography in the time of the corona...

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Sudden Impact: In Conversation with Harsh Chhaya

Khalid Mohamed interviews Harsh Chhaya, whose performance as a despotic Papaji in the series U...

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Rain Watch

Sameer Rattonsey, a resident of Bandra, captures the sunsets, even as the weather over Mumbai continues to be unpredictable...

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Mind Your Language: Vidya Balan on how to get the ps and qs right

Khalid Mohamed frazzled by today’s Bollywood language, talks to Vidya Balan on how she g...

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The Unknown Story

Indian cinema’s first superstar, Master Nissar, had passed away in abject poverty

How many even know...

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No Entry: Hazards in staging a theatre play in Mumbai

Khalid Mohamed recounts his peril-fraught, one-off experience in staging ‘Kennedy Bridge’, a play on yesteryear&rs...

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