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The apotheosis of the new wave: Jules et Jim

Godard’s Breathless and Truffaut’s Jules et Jim are the cornerstones of one of cinema’s most ...

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Review: Searching for ‘Happiness’

Originating from a conversation with his seven-year-old daughter, Suman Ghosh’s new film is an ode to the city of Kolkata, writes Read More

The Austere Ascetic

Sharad Raj visits the 1983 French film L’Argent (Money) and deconstructs the genius of the filmmaker Robert Bresson.&...

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Black-and-white in colour

Khalid Mohamed recounts his emotional-laden encounter with the legendary French multi-media artist, Jean-Paul Goude, on a cham...

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Sculpting in Time

Sharad Raj revisits Tarkovsky’s film Mirror (Russian), released in 1975 and he expresses, in this piece, its art, aesthe...

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Of human bondage

Khalid Mohamed’s throwback to his encounter with social documentarist, Sebastio Salgado, whom he rates as the world&rsqu...

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Seijun Suzuki: Master of the Japanese Film Noir

The most traveled and hence the most influential of the film genres that evolved in Hollywood film studios is p...

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My world view: Deepika Deshpande-Amin

It’s a fascinating journey to go down a long winding road with a friend - when the conversation is nothin...

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Bansi Kaul: Rang Bansi!

He is the chronicler of the theatre of clowns, acrobats, painted faces and laughter, writes Aparajita Krishna

India's soft power - the unrealized potential

Where does India stand in the latest rankings on leveraging its soft power, asks Amit Khanna