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Sharad Raj elaborates on the calculations his wife and he made at the beginning of their life together in Mumbai, which led to...
Read MoreI WOULDN’T HAVE IT ANY OTHER WAY!
Vinta Nanda explores the making of a poet, reaching nowhere obviously, because ‘if we knew what makes a poet, everyone w...
Read MoreSHYAM BENEGAL’S JUNOON & A FOUR HOUR TRIP TO THE MOVIES
Sharad Raj, a filmmaker, shares a funny memory that continues to make him laugh even today, about a trip, in Lucknow, to see t...
Read MoreJAFAR PANAHI: STRUCTURE, AUSTERITY & SOCIAL CRITICISM
Sharad Raj discusses the cinema of Iranian filmmaker Jafar Panahi, his consummate understanding and command over time and spac...
Read MorePATHAAN: IS IT A CINEMATIC MASTERPIECE?
Sharad Raj discusses why the film PATHAAN is being celebrated across the country and SRK’s persona and politics.
UGETSU MONOGATARI: THE MIZOGUCHI TREASURE
The cinema of Kenji Mizoguchi glides in and out of people’s lives with fluid grace and exquisite tact, writes Sharad Raj...
Read MoreUlmer and Detour
Today, Sharad Raj remembers Edgar G. Ulmer as one of the Hollywood masters who had been cruelly neglected by one and all.
... Read MoreMemories of Underdevelopment
Sharad Raj writes, “Many consider Tomas Alea, the greatest filmmaker to emerge from Cuba and Memories of Underdevelopmen...
Read MoreA Requiem For Mayfair Cinema
English movies which essentially meant Hollywood films (Hollywood being the benchmark for “good cinema” catering to the English-spe...
Read MoreFrom King Lear to The Image Book: Jean-Luc Godard
The year was 1989, a print of Jean-Luc Godard's latest film, King Lear, an adaptation of William Shakespear's well known play was received by t...
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