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Copy-right-Copy-wrong

Veena Bakshi reveals the flawed system by which our Indian entertainment universe operates; where copyrights holders may as we...

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An Interlude

Sathya Saran talks about her journey when writing on Pandit Hariprasad Chaurasia and she shares an excerpt from the book she h...

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Guns & Roses: Bollywood’s Dacoit Women

Film historian Dhruv Somani reminds you of the time when women characters wouldn’t take nonsense from the Thakur potenta...

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Brotherhood of man and woman

Amit Behl walks us through the huge impact that the COVID-19 crisis has had on the film and television industry and how the fr...

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Farewell Basu Da

Amit Khanna talks about Basu Chatterjee on the day Indian Cinema has lost him. He recalls how Basu Da was known for having mir...

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Politically Left Handed: Subhashini Ali

Vinta Nanda chats with Subhashini Ali about why after a long time and now in the times of COVID-19, when all other politics se...

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Re-Engineering Culture: Majha House

Preeti Gill, founder of Majha House in Amritsar, tells about the place, which asserts Punjab’s rich history of performance, literature an...

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Between Fake News and Truth…

In these extraordinary times, like everywhere else in the world, fake news and misinformation are spreading like wildfire around Covid-19 and r...

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Chiller Thrillers

Film historian Dhruv Somani unearths eight Bollywood films, which were grossly undervalued.

Woman of Song: Usha Khanna

Dhruv Somani makes a case to revisit Usha Khanna, one of Bollywood’s few and certainly the most prolific and popular women composers.

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