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Re-Engineering Culture: Majha House

Preeti Gill, founder of Majha House in Amritsar, tells about the place, which asserts Punjab’s rich history of performance, literature an...

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Minority Report

Khalid Mohamed writes on the ceaseless ghettoization of Muslim characters in B-town’s mainstream movies, and now web ser...

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ART SALUTES WORKERS

Khalid Mohamed writes on the imperative need for Indian artists to express  their strong views on the state of nation und...

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Justice for Women Amidst COVID-19

A new report documents major challenges to women’s access to justice in light of the COVID-19 pandemic and puts forth recommendations...

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Labour, Rights, Disaster and Capitalism

The global pandemic crisis gripping the world currently has claimed over a quarter of a million lives. It has decimated livelihoods and incomes...

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Oh Kolkata!

At a Glance 0800pm 20th May 2020

  • Tropical Cyclone Amphan has made landfall near the border between India and Bangladesh
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The Last Concert

Begum Akhtar passed away a day after her concert in Ahmedabad on 29 October, 1974. Here’s a rare photo-essay of that enchanted evening by...

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Exhausted: Face Masked & Barefoot

As the lockdown restrictions are being relaxed gradually in the country, scores of migrant laborers who have lost their jobs have attempted to ...

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The Talented Taurean: Bhanu Athaiya

Bhanu Rajopdhye Athaiya was born on April 28, 1929 in Kolhapur. Humra Quraishi interviewed Athaiya around ...

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India’s Disowned: Pataal Lok

In her review of the newly dropped series on OTT platform Amazon Prime Paatal Lok, Reema Moudgil writes that the images haunt because they remind us of som...

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