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How to go bonkers

Khalid Mohamed reviews Bollywood’s alleged ghost story Roohi, the Tamil super surprise packet Mandela… and the co...

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An auteur in the true sense: Werner Herzog

The new wave German cinema with its mighty generals like Wim Winders and Reiner Werner Fassbinder had a maverick for company, an eccentric geni...

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Prem Tame: Love’s Labour Lost

Shantanu Ray Chaudhuri writes that an inspired final act and a brilliant soundtrack cannot overcome the shortcomings of vapid ...

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Such a wonderful journey!!

Film historian Dhruv Somani, a self-confessed admirer o...

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The Cinema of Tengiz Abulnadze

All of Abulnadze’s important films especially his much acclaimed The Georgia Trilogy exemplify the key fe...

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Madhumati: A classic revisited

Film historian Dhruv Somani flashbacks to Bimal Roy’s classic ghost story, which continues to be mint-fre...

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A Portrait in words and pictures: Seema Kapoor

Isolation amidst the tranquillity of the scenic environs of Jhalawar in Rajasthan  made Seema Kapoor address this article, writes ...

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A Woman on the verge of abundance: Antara Lahiri

Vinta Nanda connects with the film editor Antara Lahiri, and brings to you this very interesting conversation that she had wit...

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Ghost ghost na raha

Khalid Mohamed strives to sit patiently through the season’s supposed scarefest, Durgamati - the oddball series Bhaag Be...

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Let’s Go to the Pictures

Rumi Taraporevala writes on the ‘masti-majaa’ of watching the movies with his buddies