The Unforgettable One

On her 72nd birth anniversary, film historian Dhruv Somani, looks back with affection at the most impactful films of Parveen B...

Prem Tame: Love’s Labour Lost

Shantanu Ray Chaudhuri writes that an inspired final act and a brilliant soundtrack cannot overcome the shortcomings of vapid ...

Exploring the Darker Side

After watching a couple of her films, Vandana Kumar believes, that it couldn’t be merely a coincidence that Isabelle Hup...

How the war was won

Khalid Mohamed reviews the inexplicably neglected 377 Ab Normal, is zapped by the mega-abrupt Lahore Confidential, and discove...

Signs of the time: The stream of freedom’s flood

With the passing away of writer Ved Mehta, I can only say that we have lost  not just a great writer but also a man with a definite person...

Ghost ghost na raha

Khalid Mohamed strives to sit patiently through the season’s supposed scarefest, Durgamati - the oddball series Bhaag Be...

For whom the bull tolls

Khalid Mohamed locks horns with India’s Oscar entry Jallikattu, Alt Balaji’s Bicch...

I want to act, not be famous: Arif Zakaria

Aparajita Krishna tells us, that Arif Zakaria was born in a very respected Konkani Muslim family in Bombay.

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Visual Instinct

Khalid Mohamed writes on discovering the rule-breaking art of Vishwanath Math on social media in the time of the Coronavirus.<...