Signs of the time: Rape, the weapon of mass destruction

Humra Quraishi comments on the most recent rape of a nine-in-year old girl in the national capital of India and the ruthlessne...

Shyamal Uncle turns off the lights

In the first of a new series on standout Bengali films post 2000, Shantanu Ray Chaudhuri looks at Suman Ghosh’s 2013 fil...

Adil Hussain: The Uncrowned Czar of independent cinema

Sharad Raj walks you through his experience of working with the actor par excellence Adil Hussain.

Read More

The Hairdresser’s Husband: Too Much of a Good Thing?

Vandana Kumar explores how a film like The Hairdresser’s Husband starts as a man’s...

Those magical tours

Rumi Taraporevala travels back in time, to recapture the joy of the iconic Lala Tours of Bombay, conducted by St. Xavier&rsquo...

Signs of the times: Time to talk truth to power

Humra Quraishi’s commentary demands answers and accountability for the sufferings of innocent people and she insists tha...

How feminism works in rural India

Vinta Nanda explores how feminism works in rural India and the Grassroots Leadership Development Program of CORO India.  ...

Satyajit Ray: 10 Great Sequences

The films of Satyajit Ray have provided us with iconic moments that celebrate the many hues of life, all shot w...

Pravesh Sippy: Never in Dire Straits

Water of love deep in the ground/But there ain’t no water here to be found/Some day baby when the river runs free/It's gonna carry that w...