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Dreaming big for the vulnerable: Chhitra Subramaniam

Vinta Nanda thinks that one of the greatest pleasures of running The Daily Eye is that you wak...

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A Portrait in words and pictures: Seema Kapoor

Isolation amidst the tranquillity of the scenic environs of Jhalawar in Rajasthan  made Seema Kapoor address this article, writes ...

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Black-and-white in colour

Khalid Mohamed recounts his emotional-laden encounter with the legendary French multi-media artist, Jean-Paul Goude, on a cham...

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How Photo Pollution Is Impacting Planet Earth

We have lost our connection to the night-time skies, the stories woven into star-studded skies, the sense of stillness, the awe of the twinklin...

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The uncertainty of life in the Pandemic

Nanna was tall and erect even at 78 she would complete all postures of namaz, writes Farah Diba Israfil

Goodbye FarmVille! It was fun harvesting.

On 31 December, Zynga shut it down, 11 years after a glorious start, writes Carol Goyal

I...

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The National Education Policy (NEP) is not a constitutional document

An analysis, a comparison with the previous policies and development in the new one by Hrishi Ra...

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Order! Order!

Khalid Mohamed reviews the twisty courtroom drama Nail Polish, the erotica-fest Paurashpur and a sensitive short film Adivaana...

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I Want To Live Life By ‘Doing Nothing’

A bit of a late realization, but a self-discovery nevertheless arrived at after much introspection, writes Dr. Sandeep Goyal <...

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Sculpting in Time

Sharad Raj revisits Tarkovsky’s film Mirror (Russian), released in 1975 and he expresses, in this piece, its art, aesthe...

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