Dreaming big for the vulnerable: Chhitra Subramaniam

Vinta Nanda thinks that one of the greatest pleasures of running The Daily Eye is that you wak...

Pause for a cause

Khalid Mohamed thumbs up the cautionary Unpaused, checks out the complicated crime thriller and gives up on a dithering bid to take over  Casino: My G...

The loneliness of an Indian (virgin) Bride

What are Indian wedding dreams made of? – a question Janaky Sreedharan answers as she views it through the lens of the r...

In gentle streets where people play

I first met Suryaveer (it tickles my Panjabiat to call him Veera) in the year 2004, writes Vinta Nanda

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For whom the bull tolls

Khalid Mohamed locks horns with India’s Oscar entry Jallikattu, Alt Balaji’s Bicch...

An Unwatchable Boy

Khalid Mohamed reviews the web series A Suitable Boy and Mirzapur 2, streaming on Netflix and Prime Amazon Video respectively....

Arun Fulara’s My Mother’s Girlfriend bags KASHISH QDrishti Film Grant 2020

Anjum Rajabali, Arunaraje Patil, Onir, Neeraj and Sridhar Rangayan selected the winner at an online pitching se...

Radical and Revolutionary: Smruti Koppikar

In this interview with Vinta Nanda, Smruti Koppikar throws light on the way that journalism in India has chan...

No Coincidence No Fiction: The Urban Mela

Ranjit Rodricks writes that the loot that’s taking place in broad daylight today, is just like a Mela in a faraway villa...