Satyajit Ray: The man who knew too much

In a new book, Barun Chanda, who acted in Satyajit Ray’s Seemabaddha, goes down memory lane about his experiences of working with Ray. Sh...

SO MUCH OF DESTRUCTION!

Humra Quraishi revisits 1992 and the demolition of the Babri Masjid then, in context to the bulldozing of property without con...

All about flesh and blood

Humra Quraishi responds to the unnecessary hungama surrounding Halal, a noise not sparing even Haldiram’s Falahari Packe...

Pubali Chaudhuri: Mystery of the blank page!

Aparajita Krishna tells the Genie to grant writer Pubali Chaudhuri her personal wish; also the wish that she ‘conti...

Hate mongering and dreamy love songs

Humra Quraishi asks us how we can participate in assemblies of pleasure and write dreamy love songs, in this atmosphere of vio...

Hijab: The divisive agenda 2022

Humra Quraishi looks closely at the systematic way in which the Right-wing groups are deepening divisions between the Hindu an...

When Atul Met the Movies

Khalid Mohamed in conversation with India’s prime, contemporary artist, Atul Dodiya, on his unbreakable bond with art an...

Revisiting Mani Kaul’s Mini-series Ahmaq

Devdutt Trivedi writes that in Ahmaq, Kaul wanted to underline the symbiotic relationship between Hinduism and Islam.

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Shakespeare in Bollywood

Shakespeare travels, writes Farrukh Dhondy, in his piece on how well and how not so well the bard’s writing has been ada...