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She loved Cinema: Pamela Rooks

Humra Quraishi revisits the life and times of Pamela Rooks. And, her films, Miss Beatty’s Children and Train to Pakistan...

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Radical and Revolutionary: Smruti Koppikar

In this interview with Vinta Nanda, Smruti Koppikar throws light on the way that journalism in India has chan...

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A Ringside View of Circus

Janaky Sreedharan writes that to read a book on circus is, in a way, to revisit our childhood - to recall the color, joy and a...

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The Glad and the Sad

Even as COVID-19 spikes on, the film soundtracks of yesteryear offer some solace and relief. Khalid Mohamed writes on the vast...

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Ways of seeing Mumbai

A photo-essay by Megh Bhavsar on the city as perceived through the eye of his camera. Text Edited by: Khalid Mohamed <...

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Question of Homesickness

Even as the on-going COVID-19 pandemic affects the world, Anil Dixit writes on the bond among Indians employed in Dubai, Abu D...

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The Bard of Bollywood: Gulzar

Humra Quraishi recalls her meetings with Gulzar. Born on 18th August 1934, his words that explore  the complex...

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To the story I was born

Aparajita Krishna plunges into her rich past, where there is a paean to her left leaning parents who inhabited India’s r...

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The Forever Story: Protima Gauri (Bedi)

Humra  Quraishi writes that Protima Bedi, was the quintessential modern Indian woman who had once written her own destiny...

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Richard Gere: In Conversation

This is the 30th year of the global hit Pretty Woman. Khalid Mohamed pulls out excerpts from an exclusive interview with Richa...

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