The Unforgettable One

On her 72nd birth anniversary, film historian Dhruv Somani, looks back with affection at the most impactful films of Parveen B...

Begums on top, or nearly

Khalid Mohamed reviews the flawed and yet commendable Begums of Bombay, finds 1962: The War in...

Goodfellas: The patriarchal architecture of the mafia world

Goodfellas is considered to be one of the greatest gangster films ever, writes Sharad Raj.

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Sightless in Bollywood

Film historian Dhruv Somani, recollects the B-town movies dealing with the theme of the sight-impaired.

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Womanpower in khaki

Film historian Dhruv Somani, tracks down the heroines who have portrayed top cops, a domain usually reserved for heroes.

How the war was won

Khalid Mohamed reviews the inexplicably neglected 377 Ab Normal, is zapped by the mega-abrupt Lahore Confidential, and discove...

Renuka Shahane: The Complete Woman

Vinta Nanda is on a rollercoaster ride with Renuka Shahane. The two begin from where the actor...

Uff, that dance of chaos

Khalid Mohamed reviews the political askew Tandav, the heart-tugging Tribhanga and the pertine...

Nervous Edges and Hesitant Hands: NAZAR -1989.

I had just passed out of FTII in 1989 and I was on my first feature as the Assistant Cameraman, reminisces Rafay Mahmood