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The Indian ‘New Wave’ for the Millennial

Even though I use a lot of close ups, “Once upon a time, long, long ago…” should be the tone and tenor of this account from ...

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What Bollywood can learn from Hollywood

Monojit Lahiri does a hard close-up at the changing attitudes of Hollywood stars toward Indie films and proposes that Bollywoo...

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Of Human Shields and Human Rights

In light of recent events in Srinagar’s Hyderpora in Kashmir, where it is alleged that civilians were used as human shields, Humr...

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Ritu Nanda’s memoir by Sathya Saran

Being Ritu Nanda: The Unforgettable Story of Ritu Nanda was released recently, here’s the writer Sathya Saran in conversation with Vinta ...

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The biography of Sanjeev Kumar

Shantanu Ray Chaudhuri talks to Sumant Batra, who has co-written Sanjeev Kumar’s biography, An Actor’s Actor, with...

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Signs of the time: What Gandhi didn’t want

Humra Quraishi looks at the indiscriminate violence taking place around the country ironically...

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An anthem and counter-anthems: Pyaasa

This was written during the years, to be precise 2017, when playing the national anthem before movies was mandatory in halls, writes Ju...

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Back to the Future

Film historian, Dhruv Somani, in conversation with the charismatic film and TV actor, Eijaz Khan, who wowed viewers with Big B...

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That’s Chemistry!

Khalid Mohamed harks back to a conversation with Shabana Azmi on the memorable ‘star jodi’ she made with Naseerudd...

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Shyamal Uncle turns off the lights

In the first of a new series on standout Bengali films post 2000, Shantanu Ray Chaudhuri looks at Suman Ghosh’s 2013 fil...

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