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DILIP KUMAR: THE BIG BURGLAR

Dilip Kumar burgles his way into the performance of every Indian actor of substance whether the actor likes it or not, writes Kamlesh P...

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Simply a storyteller: Mitra Phukan

It is my privilege to introduce, to those among you, who don’t know her, Mitra Phukan - a writer, author and thought leader - writes Read More

Rambha Ho: Never Say Never

“Who says I have quit forever”, asks the screen sensation of unforgettable dance numbers, Kalpana Iyer, in a chat-fest with film hi...

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Three Colours: Red - A celluloid poem

Mallika Bhaumik reviews Krztysztof Kieślowski’s Three Colours Red and reads the auteur’s mind while elucidating her own thoughts ...

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Rediscovering a Genius Artist

Khalid Mohamed in conversation with Patrick Bensard, director of the prestigious Cinematheque de la Danse of Paris, now docume...

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Woh Sadhana thi

The cine-young living in the 60-year-old that I am, refuses to abandon my lingering fascination for actress Sadhana, writes Aparajita K...

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Look back in affection

Film historian Dhruv Somani, rewinds to the year 1980, which witnessed a spate of hits and sparked its abiding romance with th...

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Catching the moment

Khalid Mohamed discusses the fast-changing dynamics of image-making today with the eminent New Delhi-based still photographer, Prerna Jain