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Search ResultWhy a Statue of Netaji now?
Subhashini Ali explains why the statue of Netaji will not transform the Prime Minister into an inheritor of the legacy of the ...
Read MoreWomen in Cinema Collective: A Work In Progress
“An actress was a person who could never own herself,” writes Janaky Sreedharan in her piece about the role played...
Read MoreFrom refugee camps to stardom
Khalid Mohamed in conversation with the feisty actor, Shaylee Krishnen, who spent her childhood in camps of Jammu and Kashmir,...
Read MoreShifting Paradigms: Malayalam Cinema





Malayalam Cinema has evolved through time, writes Sulochana Ram Mohan. To use a cliché change has been the only constant in Malayalam ci...
Read MoreSeizing the moment: Ravi K. Chandran
Eminent cinematographer, Ravi K. Chandran in conversation with Khalid Mohamed, on the unfettered joys of still photography. Read More
Another Ravi Varma: Mankada
Kerala Varma talks about the magic in the work of the low profile cinematographer of Adoor whose work made the layman sit up a...
Read MoreA dog, a boy and a film: Musings on Kala
Janaky Sreedharan reviews the Malayalam film Kala (the unwanted) and raises questions on the obsession with violence and its d...
Read MoreThe South Wave





Film historian, Dhruv Somani, rewinds to the time when there was an influx of heroines from Southern cinema to Bollywood.
... Read MorePlaying corpse and killers





Khalid Mohamed has mixed feelings about the Mohanlal movie Drishyam 2, thumbs up three episode...
Read MoreThe loneliness of an Indian (virgin) Bride
What are Indian wedding dreams made of? – a question Janaky Sreedharan answers as she views it through the lens of the r...
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