The Shalimar Adventure

Film historian Dhruv Somani rewinds to the 1978 heist thriller, the international co-production Shalimar, as its charismatic h...

Eighty Cheers for the Towering Inferno!

Monojit Lahiri pays a personalized tribute to the Muqaddar ka Sikandar, the Shahenshah whose timeless aura and charisma, neith...

CONFLUENCE OR CONFLICT: SCREEN V/S STAGE

Monojit Lahiri attempts to explain how the screen and stage reside in two entirely different orbits with the only commonality ...

HEARTSPEAK

All you wanted to know about Dharmendra. Khalid Mohamed rekindles an interview with him, dil se.

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The Oscar Rosters 2022 - A Post Hoc Analysis

A detailed, spoiler free analysis of Oscar nominees and winners, with commendations on why some won, and regrets on why some didn’t, by <...

Yesterday’s Agent Vinod: Why he quit Bollywood

Film historian, Dhruv Somani, tracks down Mahendra Sand...

Cannes: Clint Eastwood Says We've Lost Our Sense Of Humour

Clint Eastwood told a rapturous Cannes audience on Sunday that he will return to acting in front of the camera. Eastwood was giving a master class at the Cannes Film Festiv...

True Review - English : Hollywood - '15 Going on '16

2015 was a year of blockbusters. It may not have kick-started that way with the release of The Woman in Black 2. January essentially saw the predominance o...

The Portrayal Of Violence Against Women In Indian Cinema

It has become something of a cliché to claim that the 1950s was the golden age of Indian cinema, and that during the 1950s, we had more women-centric films than at o...