POWERFUL PEOPLE: AN EXCLUSIVE CONVERSATION ABOUT HARMONISING CREATIVITY

Working with Dhruv Ghanekar on the background score for my film White Noise (2005), produced by Mozez Singh and Sevy Ali, was a powerful experi...

SO MANY STORIES TO TELL: RITA MEHER

To each one of you who is dreaming big, here’s a story that will confirm that everything is possible. Rita Meher, festiv...

RETURN TO INDIA

An interesting conversation between the courageous, outrageous but emotional Dolly Thakore, and Vinta Nanda, which brings back...

WHO’S AFRAID OF FILM CRITICS?

Monojit Lahiri does a checkout on the significance of film reviews and how they pan out differently for serious cineastes from...

In gentle streets where people play

I first met Suryaveer (it tickles my Panjabiat to call him Veera) in the year 2004, writes Vinta Nanda

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Rishi Kapoor: He defined ‘Bollywood Art’

I write this tribute to Rishi Kapoor. A legend, a hero, the actor unparalleled and a person who was...

Goodbye Irrfan Khan

I still remember the first time I met Irrfan Khan. It was at Navnit Nishaan’s house at a dinner she had hosted when we were making the se...

Women Filmmakers Against Misogyny in Bollywood

Every industry has been plagued by issues when it comes to the wrongful use of power by authorities. The entert...

Poojita Chowdhury: The Accidental Filmmaker

Interview With Poojita Chowdhury

Our creative director, Shiv Bhalla caught up with Poojita Chowdhury, whose film ‘Gender Bender’ has been making waves. ...