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THE RURAL BOY WHO BECAME A LITERARY ICON
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PRAHAAR REVIEW: JUSTICE AND HEROISM
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BIRDS IN THE DARK REVIEW
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FESTIVE LOVE TRAP: THE SECOND-CHANCE DILEMMA
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DURGA PUJA: FAITH MEETS COMMERCIALISM
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A WOMAN UNDER PUBLIC SCRUTINY
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SATISH GUJRAL: ART BEYOND PARTITION’S TRAUMA
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ANURAG CHAUHAN: YOUNG BODY, OLD SOUL
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BEYOND THE VOICE, SHIBANI KASHYAP
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NANA PATEKAR: THE ACTOR UNFORGETTABLE
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Thought Box
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WHO DESERVES RECOGNITION & REWARDS?
Are SRK and Virat with their luxurious 10-star lifestyle, more worthy than the real champions of change, dedicated to show the light to the neglected, overlooked and unsung? M...
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STREET PROTESTS & GROUND REALITIES
The country’s youth on the streets, protesting against the newly introduced recruitment scheme to the armed forces, Agnipath. With unemployment peaking, there’s so...
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HIDAYAT SAMI: Spotlighted!
It’s Hidayat Sami who Aparajita Krishna meets today to explore his vast repertoire as an actor, director, light-designer, playwright and producer. Hidayat Sami’s ...
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The Filmmaker And The Feminist
Vinta Nanda chats with Rinki Roy Bhattacharya, one of the first feminists, a woman greatly respected by the entire fraternity fighting for women’s rights in India. Her ...
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Father’s Day: Is It A Royal Phus?
Why does Mother’s Day get more importance than Father’s Day? Monojit Lahiri attempts to investigate the na-insafi. "Its simple boss,” replies a cool, ...
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The Religion, Caste & Poverty Discussion
In continuation of what she’s written earlier, Humra Quraishi is focusing on the young in context to the horrific communal violence spreading across India. ...
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SALUTING THE MEMORY OF THE EVERGREEN AWARA
Monojit Lahiri pays homage to India’s greatest showman, the one and only - Raj Kapoor. At a time when the Khans, Akshay, Ajay, Hrithik, Ranveer & Ranbir blitz the m...
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Distorted to Divide
Humra Quraishi comments about the distortion of Indian History and the caste, class and religious divides it seeks to indulge. It was shocking to see Bollywood actor Akshay K...
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DEVDAS: The Many Incarnations!
Aparajita Krishna visits Sarat Chandra Chattopadhyay’s Bengali novel published in 1917, but said to have been written in 1901, which has not only had a very long running...
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