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True Review
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Those Guilty Pleasures
Film historian Dhruv Somani, writes on those traditional mandatory things we sorely miss in the movies today. For the most part, New Age Bollywood has realized the importan...
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The narrative doesn’t hit home: Tangra Blues
Acclaimed documentary filmmaker Supriyo Sen’s debut feature never quite hits the narrative highs, existing in the zone between good visual documentation and tepid storyt...
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The Sound of Dubbing
Film historian Dhruv Somani discusses how and why top Bollywood actors down the years, have been ghost-voiced by dubbing artistes. Once an unknown factor, dubbing gradually...
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How to go bonkers
Khalid Mohamed reviews Bollywood’s alleged ghost story Roohi, the Tamil super surprise packet Mandela… and the comme ci comme ca Malayalam psycho-thriller Irul. ...
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The Woman in White
Film historian Dhruv Somani re-assesses Raj Khosla’s iconic suspense-filled Woh Kaun Thi, produced by NN Sippy under his banner N N Sippy Productions - cherished to this...
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That Poisonous Bite
Khalid Mohamed reviews the BBC-commissioned series The Serpent on Charles Sobhraj, approves heartily of the Malayalam film The Great Indian Kitchen and is brain-bashed by Chri...
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The first woman detective franchise in Bengal
Running on the streaming platform Hoichoi, the first woman detective franchise in Bengali, Damayanti could have done with much less talk and more imagination in its telling, w...
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The Unforgettable One
On her 72nd birth anniversary, film historian Dhruv Somani, looks back with affection at the most impactful films of Parveen Babi. One of the most beautiful faces from the ...
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Imagine Norman Bates’s Kolkata cousin as a paying guest in your home
Shantanu Ray Chaudhuri reviews Bengali streaming platform, Hoichoi’s much-publicized psychological horror Mohomaya That OTT platforms and the web series have become a...
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Desperately Seeking Kim
Film historian Dhruv Somani, tracks down Kim who had vanished from the Bollywood scene, for an exclusive, freewheeling chat-fest. Kim Yashpal dropped her second name, left he...
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