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FESTIVALS: THE POWER OF CREATIVE PARTNERSHIPS

At WIFF Mumbai 2025, a dynamic masterclass in collaboration with the Indo-Canadian Business Council (ICBC) unpacked the power of international ...

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ALTERNATIVE ENTERTAINMENT: DISCOVERING JEWELS AMONG THE JUNKPILE

Exhausted by the excessive violence, toxic masculinity and crass comedies of pan-Asian and global cinema, Khalid Mohamed share...

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FESTIVALS: KASHISH EXPANDS BORDERS ONLINE

Hundreds of LGBTQ+ films screen at KASHISH 2025 Online Film Festival. The month-long festival aims to provide easy access beyond geographical b...

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TOPS GLOBALLY. FLOPS LOCALLY.

Monojit Lahiri explores why films, which receive acclaim at International film festivals are unable to convert their critical ...

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A Requiem For Mayfair Cinema

English movies which essentially meant Hollywood films (Hollywood being the benchmark for “good cinema” catering to the English-spe...

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Gehraiyan – Yes or No?!

Monojit Lahiri investigates how deep is deep in extra-marital journeys, in reel and real life.

HIGH FIVE: Time for Some hoichoi

Starting out in 2017, the first regional OTT player in India, hoichoi, is now the world’s leading Bengali...

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Run, trailer, run

Khalid Mohamed checks out the Laxmmi Bomb trailer, the by-now iconic series Jamtara and the aptly-titled Poison 2

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Web talent on the rise but…

The fresh acting talent on the OTT platforms could rewrite the rules of Bollywood’s age-old star system but… are they promoted suf...

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The truth about Lies

One of the most defining images of our times is that of Prime Minister Narendra Modiji inaugurating the Atal Tunnel, writes Vinta Nanda...

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